I actually watched the VR work starring Aozora Hikari, and her pure and adorable looks are truly worthy of being called a正统派 idol, making my heart race with excitement when viewed up close. Particularly in the missionary position scenes, the direction cleverly changed the sense of distance twice, offering an immersive feeling as if intimately connected with a real lover.

However, overall, the work has overly long intimate interaction elements, fewer nude scenes, and the play is heavily skewed towards the missionary position, which is a pity. Additionally, the large mosaic is distracting, giving an impression of an older production. There are many unnecessary shots of the male actor's hands and leg hair, especially in scenes where the female actor lies down for masturbation, where the leg hair stands out and breaks concentration.

In terms of the script, the frequent use of the specific name 'Ik-kun' for the male actor becomes a factor that dampens the viewer's excitement. VR works should prioritize immersion, but hearing someone else's name repeatedly pulls one back to reality. I earnestly hope the scriptwriter considers storylines that more prominently feature the viewer as the protagonist.

Still, Aozora Hikari's smile shines brightly, and the creampie scenes in cowgirl and ground-focused positions have high intimacy, making it a purchase without regret. The evolution of VR technology is greatly transforming the AV world, sparking anticipation for future developments. Overall, it's a work that fans of Hikari can enjoy, but it has many areas for improvement.