The work begins with the shocking premise of her arriving at home with her stepdaughter one day. The doorbell rings, and upon opening the door, she stands there with a suitcase, while her shy stepdaughter Chiami hides behind her. She says, 'I arrived early,' and Chiami stammers, 'To... today... please take care of me,' instantly evoking a sense of the extraordinary within the ordinary.
Subsequently, the scene where he has sex with her depicts an adult affair secretly unfolding next to the stepdaughter. The next day, when Chiami asks, 'What were you and Mom doing last night?' and confesses, 'I saw everything,' the development is breathtaking. Her lines like 'I've never seen Mom make that face before...' and 'Chiami wants to try it too' realistically convey the escalation of innocent curiosity.
In specific scenes, Chiami licking the penis and touching the honey pot while saying, 'Like Mom did... I want to try here...' is particularly memorable. Additionally, the dialogue 'I feel like I'm going to pee, it's tingling' and the panting 'Haa haa haa... move a lot like Mom did' skillfully express the少女's innocence and excitement. The final line, 'Mom is unfair, it felt this good,' intertwines the distortion of the parent-child relationship with sexual awakening. The face-to-face sitting position with mutual gazing, along with angles focused on the ground and ceiling, enhances the intense sexual intercourse.
In terms of impressions, as some comments point out, the acting has moments where the dialogue feels robotic and unnatural. Specifically, it's not that the actress is bad at acting, but the emotional depth is shallow, making it easy to overlap with impressions from other works. However, her subdued and realistic middle-schooler appearance might appeal to viewers with a preference for dominating female students.
The realism of the situation receives high praise, with some even purchasing it outside of sales, and the scenario of being shyly watched from the side adds to the immersion. As the third installment in a series after a year, the distance is just right, and the direction by Yuzawa stands out. However, since the first work by Kisaki Nana is too masterful, this one might feel lacking to some viewers in comparison. Given the interesting premise, it's understandable why some wish it had been made with actresses like Yura Kana, Minami Hinano, or Matsui Hinako.
Overall, it has cuteness but lacks eroticism, creating a dreamlike atmosphere where there's interaction but it feels detached. Practicality is low, catering to those who want to see cute girls but possibly disappointing those seeking more stimulation. Having watched it myself, I was drawn by the novel setting, but the lack of acting depth and sensuality is regrettable. Still, the story that blurs the line between daily life and the extraordinary is worth experiencing at least once.
Subsequently, the scene where he has sex with her depicts an adult affair secretly unfolding next to the stepdaughter. The next day, when Chiami asks, 'What were you and Mom doing last night?' and confesses, 'I saw everything,' the development is breathtaking. Her lines like 'I've never seen Mom make that face before...' and 'Chiami wants to try it too' realistically convey the escalation of innocent curiosity.
In specific scenes, Chiami licking the penis and touching the honey pot while saying, 'Like Mom did... I want to try here...' is particularly memorable. Additionally, the dialogue 'I feel like I'm going to pee, it's tingling' and the panting 'Haa haa haa... move a lot like Mom did' skillfully express the少女's innocence and excitement. The final line, 'Mom is unfair, it felt this good,' intertwines the distortion of the parent-child relationship with sexual awakening. The face-to-face sitting position with mutual gazing, along with angles focused on the ground and ceiling, enhances the intense sexual intercourse.
In terms of impressions, as some comments point out, the acting has moments where the dialogue feels robotic and unnatural. Specifically, it's not that the actress is bad at acting, but the emotional depth is shallow, making it easy to overlap with impressions from other works. However, her subdued and realistic middle-schooler appearance might appeal to viewers with a preference for dominating female students.
The realism of the situation receives high praise, with some even purchasing it outside of sales, and the scenario of being shyly watched from the side adds to the immersion. As the third installment in a series after a year, the distance is just right, and the direction by Yuzawa stands out. However, since the first work by Kisaki Nana is too masterful, this one might feel lacking to some viewers in comparison. Given the interesting premise, it's understandable why some wish it had been made with actresses like Yura Kana, Minami Hinano, or Matsui Hinako.
Overall, it has cuteness but lacks eroticism, creating a dreamlike atmosphere where there's interaction but it feels detached. Practicality is low, catering to those who want to see cute girls but possibly disappointing those seeking more stimulation. Having watched it myself, I was drawn by the novel setting, but the lack of acting depth and sensuality is regrettable. Still, the story that blurs the line between daily life and the extraordinary is worth experiencing at least once.