This work depicts the single-parent family of Mirei and Kyōhei, and despite low expectations, it turned out to be a hit. The actress playing Mirei, arguably the best in the series, shines in scenes like the kiss on a boat at Lake Kawaguchi, with many captivating moments throughout. As a kissing-focused piece, it achieves high quality by avoiding unnatural tongue-thrusting and instead delivering passionate performances in a natural flow. While the long kissing scenes lack variety, both actors give their all without cutting corners, and minor details can be overlooked for an AV.

The drama portion is solid, skillfully building up the atmosphere of mother-son incest. In the first sex scene in the forest, the mother's hands-on guidance as the son inserts is highly arousing, and the sight of a seemingly chaste mother losing control is a major highlight. It ranks among the best in the series, with director Hiroaki Takahashi's obsession with kisses evident throughout, accurately capturing realism and viewer desires. The well-structured story compensates for acting shortcomings with eroticism, making it addictive upon rewatching after a long time.

Tsubaki's intense kisses are highly erotic and exciting, but regrettably, the final hotel scene is ruined by overly dark visuals. Setting aside acting skills, the early series' dedication to storytelling is apparent, and the frequent kissing fits emotionally with the mother's doting, making the intimacy feel natural. The actress isn't a beauty, but the mother's active involvement with her son flows well, and the parent-child age dynamic is believable. However, the beginning part mars the overall experience, so skipping it is recommended when watching. Overall, it's a title that draws you in with passionate performances and narrative depth.