The setup of a childhood friend pretending to be a broken love doll completely drew me in. Even though he knows she's not a doll, the guy's excitement over her acting and his relentless advance feel so human and gripping. From the deep throat under the desk to the all-night bondage with a fixed vibrator, the scenes push the limits of eros, making me want to scream 'Even this!?' in my heart. The 'I love you' exchanged while gazing at the overflowing white fluid deepens the pure love comedy's richness.
With time-stop genres becoming common, the dollification theme feels fresh, and I hope it gets more popular. The acting by Kudo Lara and Naruse Take-kun is perfectly suited, especially Take-kun's perverted attacks that are full of energy and awesome. The ending's twist hinting at a sequel is a delight for fans.
The comedic elements are strong, and the silliness becomes addictive. Lara's performance as a doll in the rear-entry scene is so doll-like, impressing me with her acting skills. The inner monologues between the two are fun, and the unrealistic setting of high schoolers owning high-end love dolls ironically enhances the work's appeal.
While soul-possessing dolls are common in themes, the idea of pretending to be a doll is a first for me, bringing a strange excitement. I can't help but hope for a series. Lara's cuteness and the contrast between pretending to be a doll and being human are erotic and enjoyable, and the question of whether Take-kun as a high schooler can afford such a doll adds depth to the experience.
Overall, the development where the guy does everything he wants with Lara is thrilling, and the quietness unique to the love doll pretense, without unnecessary moans, highlights the eros. It might feel overdone, but that's the source of the fun. Don't imitate it, but this work is a masterpiece as a pure love comedy that both doll enthusiasts and others can enjoy.
With time-stop genres becoming common, the dollification theme feels fresh, and I hope it gets more popular. The acting by Kudo Lara and Naruse Take-kun is perfectly suited, especially Take-kun's perverted attacks that are full of energy and awesome. The ending's twist hinting at a sequel is a delight for fans.
The comedic elements are strong, and the silliness becomes addictive. Lara's performance as a doll in the rear-entry scene is so doll-like, impressing me with her acting skills. The inner monologues between the two are fun, and the unrealistic setting of high schoolers owning high-end love dolls ironically enhances the work's appeal.
While soul-possessing dolls are common in themes, the idea of pretending to be a doll is a first for me, bringing a strange excitement. I can't help but hope for a series. Lara's cuteness and the contrast between pretending to be a doll and being human are erotic and enjoyable, and the question of whether Take-kun as a high schooler can afford such a doll adds depth to the experience.
Overall, the development where the guy does everything he wants with Lara is thrilling, and the quietness unique to the love doll pretense, without unnecessary moans, highlights the eros. It might feel overdone, but that's the source of the fun. Don't imitate it, but this work is a masterpiece as a pure love comedy that both doll enthusiasts and others can enjoy.