This work marks a complete revival of the impersonation-focused body-swap genre, featuring a dull stalker man transforming into a sparkling receptionist. He rummages through rooms, licks toothbrushes, and indulges in the female body with heart-pounding near-miss masturbation scenes. In the impersonation lesbian sequences using same-sex elements, the male brain struggles to handle the pleasure of the female genitals, culminating in a finale where he steals everything from his girlfriend and savors the aftermath.
Upon viewing, I found the actresses cuter than in the previous two installments, with the content being well-executed. The tension and excitement of the impersonation were particularly outstanding, with detailed depictions of the protagonist's transformation into a woman. However, if I had to point out a flaw, the lack of continuous impersonation scenes during the main acts was a bit disappointing. If there had been a scene like the ending of the first work, it would have deserved a perfect ten stars. Additionally, a more balanced distribution of screen time for preferred actresses would have improved the overall harmony.
I watched it primarily for Ms. Uruki, and her performance was undoubtedly brilliant. On the other hand, the other actresses fell somewhat short, making the overall production feel a bit wasted. Ms. Uruki's scenes were highly captivating, and her presence elevated the work.
Regarding the impersonation theme, the focus is on the protagonist impersonating a 'woman,' but there's less emphasis on impersonating the 'actual person,' so it might be better categorized as part of the 'doppelganger girl' series rather than strictly 'impersonation girl.' For those fixated on impersonation, more interactions with the real person would have been desirable, leading to a one-point deduction, but as a body-swap piece, it delivered ample enjoyment.
Overall, the thrilling developments and sensual scenes intertwine masterfully, resulting in a compelling work that's worth watching even for non-fans.
Upon viewing, I found the actresses cuter than in the previous two installments, with the content being well-executed. The tension and excitement of the impersonation were particularly outstanding, with detailed depictions of the protagonist's transformation into a woman. However, if I had to point out a flaw, the lack of continuous impersonation scenes during the main acts was a bit disappointing. If there had been a scene like the ending of the first work, it would have deserved a perfect ten stars. Additionally, a more balanced distribution of screen time for preferred actresses would have improved the overall harmony.
I watched it primarily for Ms. Uruki, and her performance was undoubtedly brilliant. On the other hand, the other actresses fell somewhat short, making the overall production feel a bit wasted. Ms. Uruki's scenes were highly captivating, and her presence elevated the work.
Regarding the impersonation theme, the focus is on the protagonist impersonating a 'woman,' but there's less emphasis on impersonating the 'actual person,' so it might be better categorized as part of the 'doppelganger girl' series rather than strictly 'impersonation girl.' For those fixated on impersonation, more interactions with the real person would have been desirable, leading to a one-point deduction, but as a body-swap piece, it delivered ample enjoyment.
Overall, the thrilling developments and sensual scenes intertwine masterfully, resulting in a compelling work that's worth watching even for non-fans.