I purchased Rui's work for the first time, and it turned out to be a shocking debut. The theme 'Public Shame Lesbian' exploded in this remake that focuses on BDSM with a lesbian and strap-on specialization. The setup of a sacrificial M woman being trained in lesbian BDSM by a dominant S queen in front of an audience is a masterful production that blurs the line between shame and pleasure.
From body sushi vaginal training to golden shower champagne towers and open-eyed strap-on deep throat, the series of intense scenes is relentless. The M woman, with her makeup peeling from vomit, being slapped and continuously violated, exudes a terrifying intensity. The no-holds-barred punishment, from having alcohol poured over her head to squirting orgasms from her vagina, is utterly captivating.
Kato Tsubaki's S performance is harder than expected, fully drawing out the M qualities of Otogoto Rui. However, some felt Tsubaki was somewhat restrained, which might be due to the overwhelming presence of Fujii Reira. As Tsubaki's partner in a costume that emphasizes her cleavage, Reira, though a supporting role, solidly asserts herself with slapping and other punishments. The desire for her to be more aggressive is understandable.
The cast is perfectly arranged, with the M role, punishment roles, and surrounding female audience all excelling. The casting of Fujii Reira, in particular, is a testament to great taste. The scene using a strap-on to punish both the mouth and vagina simultaneously is intensely erotic, highlighting the M woman's struggle and effort. The uncompromising attitude in a lesbian work is something I hope to see continued in future productions. I can confidently say that purchasing this was the right choice—a standout title.
From body sushi vaginal training to golden shower champagne towers and open-eyed strap-on deep throat, the series of intense scenes is relentless. The M woman, with her makeup peeling from vomit, being slapped and continuously violated, exudes a terrifying intensity. The no-holds-barred punishment, from having alcohol poured over her head to squirting orgasms from her vagina, is utterly captivating.
Kato Tsubaki's S performance is harder than expected, fully drawing out the M qualities of Otogoto Rui. However, some felt Tsubaki was somewhat restrained, which might be due to the overwhelming presence of Fujii Reira. As Tsubaki's partner in a costume that emphasizes her cleavage, Reira, though a supporting role, solidly asserts herself with slapping and other punishments. The desire for her to be more aggressive is understandable.
The cast is perfectly arranged, with the M role, punishment roles, and surrounding female audience all excelling. The casting of Fujii Reira, in particular, is a testament to great taste. The scene using a strap-on to punish both the mouth and vagina simultaneously is intensely erotic, highlighting the M woman's struggle and effort. The uncompromising attitude in a lesbian work is something I hope to see continued in future productions. I can confidently say that purchasing this was the right choice—a standout title.