I watched Honjo Suzu's widow work! Her acting skills in her 6th year since debut exploded, with a intense content that stands out from traditional widow themes, keeping me glued. The plot where she faces unreasonable treatment from her father-in-law right after losing her husband features the beautiful and well-proportioned Suzu, rarely seen in real society, in a disgraceful situation being violated by an old man, which is sure to excite.
The first half progresses with an image similar to Tabuchi playing the father-in-law role, but the latter half holds unexpected developments. Scenes like embracing a baby after being splattered with blood, descriptions of her inverted nipples being licked to erection, and fellatio while on all fours drooling are sprinkled throughout as gripping moments. However, some fans felt the excitement level was somewhat lacking.
Honjo's works often end happily, but this one leaves a deep impression with its meaningful ending. The flow where the meek daughter-in-law reverses at the end, seducing and punishing the father-in-law, is filled with sticky eros reminiscent of old pink films. Especially the intimate scenes in front of the memorial photo reach the peak of decadence and excitement, making me wish for more such stories.
On the other hand, the screen being too dark is regrettable. If they had boldly done it in daylight, the footage would be clearer, so why insist on darkness remains a question. Still, Honjo's graceful appearance shines, and many voices wanted to see more entanglement in mourning clothes. Overall, it's a piece where her polished acting allows immersion into the work, and I highly anticipate her next project.
The first half progresses with an image similar to Tabuchi playing the father-in-law role, but the latter half holds unexpected developments. Scenes like embracing a baby after being splattered with blood, descriptions of her inverted nipples being licked to erection, and fellatio while on all fours drooling are sprinkled throughout as gripping moments. However, some fans felt the excitement level was somewhat lacking.
Honjo's works often end happily, but this one leaves a deep impression with its meaningful ending. The flow where the meek daughter-in-law reverses at the end, seducing and punishing the father-in-law, is filled with sticky eros reminiscent of old pink films. Especially the intimate scenes in front of the memorial photo reach the peak of decadence and excitement, making me wish for more such stories.
On the other hand, the screen being too dark is regrettable. If they had boldly done it in daylight, the footage would be clearer, so why insist on darkness remains a question. Still, Honjo's graceful appearance shines, and many voices wanted to see more entanglement in mourning clothes. Overall, it's a piece where her polished acting allows immersion into the work, and I highly anticipate her next project.