Having watched this work, it can be described as a piece that pursues realism and rawness. The story revolves around Masahiro (36), who desires rural life, and his girlfriend Mei (26), who chooses to break up because she cannot abandon her familiar urban lifestyle. Two weeks ago, Mei receives a proposal from another man and decides to see Masahiro one last time before responding. This setup adds depth to the human drama. Particularly, the handheld camera work in the kissing scenes creates an immersive experience, with raw breaths almost palpable through the screen. If it had been shot from a first-person perspective like the fellatio scenes, the immersion would have been even greater, but the loving atmosphere is still effectively conveyed, leaving viewers eager for similar works featuring different actresses.

On the other hand, the filming technique has room for improvement. As noted in multiple reviews, the angles in the sex scenes are somewhat lacking, leading to slight disappointment at crucial moments. However, this unnaturalness paradoxically enhances the realism, and the director's self-shot style, with its natural and raw touch, deserves recognition. Miyajima Mei's acting is overwhelmingly impressive; her inarticulate moans and sweat-drenched sex scenes fully express the passion between the two. Especially, the depiction of excitement over the male scent lingering on pillows and futons during sex stands out for its authenticity, elevating the work's appeal.

The story and dialogue are excellent, and it's no exaggeration to say that Mei's cuteness and sexiness carry the entire piece. However, the quick removal of clothing is a bit regrettable. The cute outfits from the packaging and the loose, breast-revealing clothes in another chapter could have been enjoyed longer. Overall, despite issues with camera angles, this is a work rich in realism and emotion, highly recommended for fans of Miyajima Mei.