After watching this work, I was once again impressed by Tsukimi Sannomiya's acting skills. She is truly the embodiment of eros, with every line of dialogue and change in expression masterfully capturing the audience's attention. Particularly in her interactions with the father-in-law role, the process of initially showing resistance but gradually succumbing to lust is depicted realistically, and the depth of the psychological portrayal is remarkable.

However, there are some aspects of the work's setting that I find questionable. The father-in-law role played by Ozawa certainly showcases his true prowess, but her descent into depravity feels a bit underdeveloped. In the first scene, the sense of reluctant compliance comes through, but in the subsequent two scenes, she merely accepts in silence. If there were more lines like 'Father-in-law, it feels good inside' or 'Go deeper,' the emotional impact could have been stronger.

Additionally, regarding the all-creampie depictions, it's a pity that the final ejaculation isn't done with a tongue shot. Attention to such details is key to enhancing the quality of the work. Furthermore, Tsukimi Sannomiya is an excellent actress suited for original collaboration works, but recent productions often feature aging settings with a Showa-era drama vibe, which doesn't fully utilize her charm. There might be a shortage of male actors behind this, but I hope to see her showcase her talent in more diverse roles.

Overall, this is a work where Tsukimi Sannomiya's passionate performance shines, and the ending hinting at a sequel builds anticipation. I look forward to her future endeavors.