After watching this work, the first thing I felt was the interesting setting and its great potential. The story, filled with a sense of immorality, where a man with broken hands asks his daughter-in-law for sexual relief, truly captures the signature taste of the Attackers series. However, when employing a top-tier actress like Natsume Sae, more ingenuity in the script was desired. For instance, a plot where she is gradually violated over time by local authorities, principals, or mayors to cover her husband's or family business debts, or a development starting with voyeurism without immediate undressing, slowly pushing her into a corner, would have been better. Incorporating elements like clothed eroticism, the lewdness of middle-aged men, and group play could have made it a more profound piece.

Regarding Sae's performance, while it's understandable that she can deliver near-authentic acting with familiar male actors, viewers experience entirely opposite emotions. There might be contractual reasons for repeatedly using the same male actor, but there's a strong desire to see the original Attackers style—being cornered to the point of helplessly offering one's body, with the sense of immorality gradually fading as one sinks deeper. Frankly, I wish they would toy more with the elegant Natsume Sae and utilize her better. Instead of simple developments like undressing, having sex, and showing off, I hope for scripts that emphasize psychological portrayal and situational tension.

Overall, the setting is excellent, but I felt a lack in the script and direction. I realized that to maximize the actress's appeal, more detailed plots and tense developments are necessary. I look forward to improvements in future works.