I actually watched Tsukimoto Misaki's lesbian debut work, and honestly, there were many disappointing aspects. First, this is a common issue with this series lately—the molester's identity is revealed too quickly, making only the introduction exciting while the main part falls flat. This work is no exception; I expected the one-sided molesting scenes in the train to continue until the end, but they all felt half-hearted and unsatisfying. Particularly, there's a significant difference between the packaging and the actual visuals, which betrays pre-purchase expectations.

In terms of setting, there are also regrets. The situation of a pure girl feeling safe in a women-only train car being attacked is indeed appealing, but the first half should have delved deeper into the realism of unacceptable pleasure and sexual victimization, with more crying and resistance. The theme of being dominated by fear and shame while unable to resist pleasure and being forced to climax has potential, but it lacks a more in-depth portrayal.

That said, the performances by Tsukimoto Misaki and her co-star are excellent; the process of the young body gradually becoming sensitive and the descent into addiction to lesbian pleasure, leading to self-stimulation, is somewhat engaging. The scenes where the obsessive stalker woman's lewd touches transform the sensitive girl's body create an erotic atmosphere and stand out as highlights. However, overall, the inconsistencies in setting and visuals, along with the half-baked development, are regrettable. If the script were refined and the quality matched the packaging, it could have earned higher praise.