This work ambitiously pursues the theme of a beautiful goddess thoroughly trampling men as sex toys. The sight of Yū Kawakami elegantly dominating the men is breathtaking, filled with tension like a sports match. The male actors are treated literally as toys, and their scenes of serving while enduring humiliation and pain evoke a sense of human drama in extreme conditions. In particular, Kawakami's techniques are superb, with refined movements that set her apart from typical sex workers, drawing me in as a viewer. However, the composition of the work leaves some doubts. There are many scenes where the male actors are barely naked, with only a moment in the final making-of where they remove their pants for jacket photography. This makes one wonder if it's a type of work meant for viewers to imagine themselves being treated that way, leading to some head-scratching. The male actors seem to be enjoying themselves, but as a viewer, I felt a bit unsatisfied. Those without a rich imagination might not fully enjoy it. Overall, the concept is intense and fresh, but the execution could use a bit more push. Still, Kawakami's performance shines, making it worth a watch for fans.