I watched the latest work starring Akari Tsumugi. The plot revolves around a couple married for four years who finally buy their dream home, but the husband faces potential layoffs, forcing the wife Tsumugi to be employed by client Takimoto. Tsumugi makes a mistake at work and, as compensation, is forced to wear a miniskirt and thigh-high stockings, being teased at the borderline.

First, Tsumugi's beauty is stunning. Her performance of resisting yet succumbing to pleasure is highly engaging, especially the extraordinary beauty of her thighs. The recent high-definition quality perfectly conveys the fineness and softness of her skin, making you want to squeeze them through the screen. However, throughout the work, the exciting moments are somewhat lacking, leaving a sense of waste.

Tsumugi is truly a cute actress, a powerhouse who has released many works in a short time. This work fully exudes sexiness, but honestly, it leaves a feeling of "hmm..." dissatisfaction. Time flies, and from her former pure image, she has now mastered OL and married woman roles, but the scenes where she is manipulated by her boss and can't help but feel excited are still thrilling. The thigh-high stocking legs are also attractive, and the scene where she changes into a schoolgirl uniform mid-way highlights her cuteness. She could still pull off youthful roles.

The focus on the "absolute territory" is commendable, but garter belts might not have been necessary. The obsession with measuring with a ruler is clear, but changing into school uniforms like in previous works might be the director's preference? Business suits would have sufficed. The removal of remote armpit scenes is regrettable, and this format is too good to end. I hope for a sequel.

Tsumugi's cuteness remains unchanged, and close-ups in tight miniskirts alone are enough to excite. Her pale, translucent skin is irresistibly erotic, showcasing ultimate beauty. However, the weak reason for obeying the boss reduces immersion.

Amid many serious drama-style works, the sudden lack of scale and cheap feel of this third-rate production is evident, with stiff and unrealistic direction. Overall, it's hard to get into. As a fetish work, the camera work could be more stable. Fixed shots would allow for a closer look. The actress and legs are beautiful, but the camera work somehow makes it hard to engage, which is a shame.

In summary, Tsumugi's charm is maximized, but there is room for improvement in the work's quality and direction. Fans should give it a watch, but high expectations might lead to disappointment. I look forward to her future endeavors.