I watched Tsuji Meiri's new work. In her previous piece, the beautiful expressions and body after the climax were not fully captured, which was a bit disappointing, but this work splendidly resolves that dissatisfaction, leaving fans thoroughly satisfied. The style follows the same line as the previous work, but with more refined camera work and angles, it fully brings out her charm. Especially, the camera work in the initial rotation scene is exceptional, with close-ups of her sorrowful expressions, and the realistic acting draws viewers in effortlessly. Her expressiveness is so overwhelming that even just the facial close-ups are enjoyable enough.

In this work, the dialogue is minimal, but that creates a silent tension, making the intense interactions with the house cleaning workers during her husband's business trip feel more authentic. There is high anticipation for her future appearances in works that depict the gradual downfall of a pure housewife, adorned with sexy dialogue. On the other hand, casting actresses like Aozora Hikari, who perfectly fit the role of a housewife, could be considered for future projects. With her participation, more profound human dramas could unfold.

Overall, the story is simple yet skillfully portrays the framework of the husband's rage and the workers' revenge, with the anger directed at Meiri's body shaking the viewers' hearts. The pacing of the work is good, with engaging developments that keep one from getting bored. Even for those who are not fans of Tsuji Meiri, this is a piece worth watching. I look forward to her future activities with great expectations.