I watched an AV featuring Nana, an aspiring teacher trainee aiming to be loved by her students. The story revolves around her character, who gets involved in a unique empirical experiment themed on chastity belts from the Crusades era under the guidance of her world history teacher, Kirisaki. Kirisaki uses his expertise to fit Nana with a chastity belt and conducts lewd experiments, blending history and erotica in an innovative way.
Highlights of the work include three belly button licking scenes, with Sugiura Bocchi performing twice and another male actor once, offering variety from multiple performers. Sugiura Bocchi's acting is particularly passionate, enhancing the tension in his interactions with Nana. However, the handling of the chastity belt feels somewhat lacking. The same design of chastity belt is reused, lacking freshness. In most scenes, the chastity belt is not worn, giving the impression that the theme of 'chastity belt woman' expected from the title and setting is not fully utilized.
For example, in works like Insex at the Farm 129, there are more extreme and elaborate performances, such as inserting thick metal dildos before wearing the chastity belt or combining metal collars and gags, but this work only involves wearing the chastity belt, with subsequent developments being monotonous and lacking interest. From a production cost perspective, it sticks to simple sets and props, leaving room for more impactful direction. Nana's acting is average, expressing the innocence of a teacher trainee through contrast with Kirisaki, but overall, the story doesn't achieve deep development.
Overall, it's a work that can be enjoyed for specific fetish elements like belly button licking, but it fails to delve deeply into the chastity belt theme, with many disappointing aspects. The idea of leveraging historical background is interesting, but the execution falls short, leaving a half-baked impression. Future works could benefit from bolder direction and deeper storytelling.
Highlights of the work include three belly button licking scenes, with Sugiura Bocchi performing twice and another male actor once, offering variety from multiple performers. Sugiura Bocchi's acting is particularly passionate, enhancing the tension in his interactions with Nana. However, the handling of the chastity belt feels somewhat lacking. The same design of chastity belt is reused, lacking freshness. In most scenes, the chastity belt is not worn, giving the impression that the theme of 'chastity belt woman' expected from the title and setting is not fully utilized.
For example, in works like Insex at the Farm 129, there are more extreme and elaborate performances, such as inserting thick metal dildos before wearing the chastity belt or combining metal collars and gags, but this work only involves wearing the chastity belt, with subsequent developments being monotonous and lacking interest. From a production cost perspective, it sticks to simple sets and props, leaving room for more impactful direction. Nana's acting is average, expressing the innocence of a teacher trainee through contrast with Kirisaki, but overall, the story doesn't achieve deep development.
Overall, it's a work that can be enjoyed for specific fetish elements like belly button licking, but it fails to delve deeply into the chastity belt theme, with many disappointing aspects. The idea of leveraging historical background is interesting, but the execution falls short, leaving a half-baked impression. Future works could benefit from bolder direction and deeper storytelling.